Friday, 3 July 2009

Ramappa temple

File:Ramappa1.jpg
The city of Warangal is 157 km from Hyderabad. It was the ancient capital city of the Kakatiya kingdom. Warangal means "history". Its massive fortress has withstood continuous attacks from the Delhi Sultans in the 13th and 14th centuries AD. In the 19th century AD, it was the hunting ground of the nobles. It is noted for its beautiful lakes, magnificent temples, mud-brick forts and wildlife sanctuaries. Warangal today is an important tourist destination.

Palampet is located at a distance of 77 km from Warangal, the ancient capital of the Kakatiyas. It is home to brilliant Kakatiya art as seen in the Ramappa temple. The Ramappa temple is near the ancient engineering marvel of the 13th century AD Ramappa tank. The ancient Ramappa tank can be dated back to the period of Kakatiyas. It is a well-conceived tank where a 2000 ft long earthen dam connects a semi circular chain of hills to form a lake.

The Ramalingeswara Temple is popularly known as the Ramappa temple because the chief sculptor was Ramappa. It is probably the only temple in India to be known by the name of the sculptor who builds it. It was built under the patronage of the King Kakati Ganapathi Deva by his Chief Commander Rudra Samani at Ranakude in the province of Atukuru. The temple has been described as the "brightest star in the galaxy of medieval temples in the Deccan". The temple is approached thorough a royal garden, now just a lawn with tree lined path. The temple is situated in a valley and is built with bricks so light that they can float on water. Yet the temple is so strong that it is still intact after numerous wars, invasions and natural calamities.

The Ramappa temple stands on a 6 ft high platform on a cruciform plan. The sanctum is crowned with a shikhara and is surrounded by a pradakshinapatha. Rich and intricate carvings adorn the walls, pillars and ceilings of this wonderful building. The hall in front of the sanctum has numerous beautifully carved pillars that have been placed to create an effect that combines light and space wonderfully. There are many votive shrines within the temple. There are two subsidiary shrines on either side of the main temple, which are in a good condition.

The entire temple complex is enclosed with a compound wall. At the entrance to the temple is a ruined Nandi mandapam, with an imposing 9 ft high Nandi, which is still intact. The Shivalingam in the sanctum also rises to a height of 9 ft. The east-facing sanctum is surrounded with pilasters crowned with Dravidian and Nagara shikharas in an alternating fashion. There is an additional entrance from the north also leading to the Navaranga mandapam in front of the sanctum. The ceiling is divided into compartments by columns from the bottom and is carved with intricate patterns. There is a richness of carvings in this temple on dark rock with a smooth finish, portraying an amazing range of themes from the Puranas and various Indian mythological stories.Ramappa Temple

The temple signifies many facets of Shiva, his royal residence, the Himalaya Mountains and his inhabiting a sacred space beyond the mortal realm. The temple is built upon the classical pattern of being first raised upon a platform that separates its sacred functions from the taint of the everyday. This 'sacred mountain' mindset was characteristic of the temple builders in all the cultures. It represented a powerful symbolic representation of a perfect building, an intersection in midair of the spheres of heaven and earth. The platform lifts it above the normal, transcends the profane, declaring with uncompromising firmness that it is a place for un-common activities dedicated to a god.

Maha Shiva Ratri is celebrated for a period of three days in this temple Many of the smaller structures are neglected and are in ruins in the Ramappa temple. There were even instances of people carrying away the bricks, to be proudly exhibited that they can float on water, before the Archeological Survey of India (ASI) took charge of it. The main entrance gate in the outer wall of the temple is ruined, so one can enter only through a small west gat

lepakshi (ananthapuram)

Lepakshi is a small village, which lies 15-km east of Hindupur in Anantapur District of Andhra Pradesh. It is the most important place in the district from the historical and archaeological point of view. A trip to Lepakshi is revitalising for those who believe in heritage sites, for those who marvel at the art of our ancestors, and those willing to get away from the routine multiple-destination tourist routes. The place is renowned as the repository of the best mural paintings of the Vijayanagar Kings.
Lepakshi consists of three shrines dedicated to Shiva, Vishnu and 'Virabhadra'. On one of the hillocks near the place is known as "Kurma Saila" (tortoise shaped hill), are located the temples of 'Papanatheswara', 'Raghunatha', 'Srirama', 'Veerabhadra' and 'Durga', of which the Veerabharadra temple is the most important.


Veerabhadra temple is a notable example of the Vijayanagar style of architecture. A reference is made in the 'Skandapurana' to Lepakshi as one of the hundred and eight important 'Shaiva Kshetras' (shrines). Though the temple of Veerabhadra is claimed to have been constructed by Saint 'Agastya' himself, it was developed into the present exquisite shrine by 'Virupanna', the treasurer of the Vijayanagar Kings.He conceived the idea as he found the image of Veerabhadra.

Lepakshi Temple


He executed the plan in the absence of the king and used the treasure when he was away at Vijayanagar. When the construction was almost finished and it was being supervised the king returned and found the treasure empty. The king ordered, as a punishment to this heinous crime, that he should be blinded. The treasurer being a loyal person carried out the punishment spot with his own bands.

Even today one can see two dark stains upon the wall near the 'Kalyana Mandapa', which are said to be the marks made by his eyes, which he himself dashed against the wall. The builder did not survive for a long time and the village is called "Lepa-akshi Lepakshi", i.e., a village of the blinded eye.

The temple is divided into three parts - the 'Mukha Mandapa', (also called 'Nitya Mandapa' or 'Ranga Mandapa'), the 'Artha Mandapa' and 'Garbha Griha', and the 'Kalyana Mandapa', with 38 carved monolithic pillars in grey sandstone is unfinished. These three form a triangle with a common Mandapam.

As per local legend Lord Shiva and Parvati were married on the spot where the Kalyana Mandapa stands. The temple is surrounded on all sides by an outer enclosure. A second inner enclosure contains the main portion of the temple. Its finest parts are the 'Natya' (Dancing) and 'Ardha' (worship) Mandapas. The former is decorated with superbly sculptured pillars on, which are carved life-size representations of musicians and dancers in various poses displaying spirit and vigour. The Kalyana Mandapam is a standing monument to the exuberance of Vijayanagar art but it is left unfinished.

The best specimens of the Vijayanagar style of sculpture and mural paintings are found in the Natya and Kalyana Mandapams (dance and wedding halls). These sculptures depict puranic episodes like those of 'Ananthasayana', 'Dattatreya', 'Chaturmukha Bramha', 'Tumburu', 'Narada' and 'Rambha'.

Kanaka durga temple in vijayawada(durga maatha)



How far : About 275 km from Hyderabad

How to go : Air: Vijayawada is connected by air from Hyderabad and Visakhapatnam. Rail: It is well connected by rail with every city in India
Road: buses from Madras, Hyderabad, Vizag and Nellore.

Where to stay : AP Tourism's Krishnaveni Motel, Sitanagaram or Star Hotels / Janata Hotels.

What to see : Kanaka Durga temple, Bhavani island, Mary's temple, Gandhi Stupa, Prakasam Barriage, Hazarath Bal Mosque, Victoria Jubilee Regional Museums and Rajiv Gandhi Park, Undavalli Caves, Kuchipudi, Kondapalli.
A pleasant journey through the rich coastal delta of the state takes you to Vijayawada, the "City of Victory", which lies between the Krishna river and its tributary, Budameru. Encircled by a cluster of high hills, Vijayawada is the heart of Andhra Pradesh and the historical, cultural, political and literary center. The place is famous for its luscious mangoes, the classic form of Telugu language and not but not the least, as the abode of Kanaka Durga, goddess of power, riches and benevolence, the presiding deity of the city.



LEGENDS

According to a legend, the now verdant Vijayawada was once a rocky region strewn with hillocks that were obstructing the flow of river Krishna. The land was thus rendered unfit for habitation or cultivation. Invocation to Lord Siva led to His directing the hills to give way to river Krishna. And lo! the river started flowing unimpeded with all its might, through the tunnels or "Bejjam" bored into the hills by Lord Siva. That is how the place got its name Bezawada.



One of the many mythologies associated with this place is that Arjuna prayed to Lord Siva on top of Indrakeela hill to win His blessings and the city derived its name "Vijayawada" after this victory. Yet another popular legend is about the triumph of Goddess Kanakadurga over the demon king Mahishasura. It is said that once upon a time, the growing menace of demons became unendurable for the natives living in this region. Sage Indrakila, took to severe penance and when the Godess appeared, the sage begged Her to reside on his head and keep vigil on the wicked demons. As per his wishes, after killing the demons, goddess Durga made Indrakila Her permanent abode. Later She also slayed the demon king Mahishasura freeing the people of Vijayawada from the evil clutches of the demon.

At the Kanakadurga temple, the enchanting four-foot high icon of the deity bedecked in glittering ornaments and bright flowers, with eight powerful weapons in eight hands is in a standing posture over the demon Mahishashura and piercing him with her trident. The Goddess is the epitome of beauty.

Adjacent to the Kanakadurga temple is the shrine of Malleswara Swamy on the Indrakiladri. By ascending the steps on the hill, one comes across little images of different deities, prominent among them being Kali, Siva and Krishna.


kapila thirtham near Thirupathi

Kapila Theertham

Kapila Theertham is 3 km from the temple town of Tirupati. This is a cascading waterfall which flows from the holy hills of Tirumala. There is a temple here of Lord Shiva here. Legend says that Lord Shiva appeared before the sage Kapila here.
here beautiful attracted mountain places are here to see it is great natural place.
the water falls never end in great summer.

Hanuman temple kondagattu(anjaneya swamy)




About 35Kms from Karimnagar is this breathtaking temple of Lord Anjaneya Swamy. Situated amidst hills, valleys & water springs Kondagattu is blessed by nature and very scenic. According to the folklore, the temple was constructed by a cowherd some 300 years ago. The present day temple has been built 160 years ago by Krishna Rao Deshmukh. It is believed that if a women offers puja for 40 days at this temple then she will be blessed with a child.

Apart from the temple, the fort of Kondalaraya & Bojjapotana caves are worth seeing at Kondagattu.



Lord Hanuman was born in Anjaneri (now a hilltop temple). Anjaneri is near Triambakeshwar, Nasik - a pilgrim village in Maharashtra State. He is the son of Anjani and Maruti, born with the blessings of 'Vayu', the wind god (also called Pavan). He is considered to be an avatar (incarnation) of Lord Shiva.

He is one of the seven Chiranjivis and the only learned scholar who knew the nine Vyakaranas. He learned the shastras from Suryadev, the sun god. He is well versed with the Vedas and other sacred books.

He has exhibited astonishing physical strength and worked many miracles. His valour, wisdom, knowledge of the scriptures and superhuman strength attracted everybody who came near him. He had extraordinary skill in warfare. He is the chosen messenger of Lord Rama and the minister & messenger of Sugreeva. Hanuman is fast, the most agile and oriented god.

Hanumanji is the symbol of Devotion and Service. Like Krishna, Rama is an incarnation of Vishnu whose elevated character and righteous actions are designed to inspire men to divine consciousness. In liberating his consort Sita from the demon Ravana (symbol of material illusion), Rama is greatly aided by the brave Hanuman. Hanuman was the chief of the armies of Sri Ramachandra and took a prominent part in the war against Ravana, the king of Lanka, in the Indian epic poem Ramayana. Hanuman helped restore Sita Devi back to Sri Rama. Recognizing Godhead beneath the human disguise, Hanuman consecrates himself wholly to service of Rama. Depicted in kneeling pose of utter devotion and humility, he symbolized the strength and purity of the Perfect Servant.


Hanumanji is known by many names as Anjaneya, Anjani Putra, Bajarangbali, Hanuman, Mahaveer, Marutinandan, Pavanputra etc. Hanuman, worshipped for his strength, valor, agility, is a man of great teaming.

Hanuman carried Sri Rama and Lakshmana on his shoulder to Sugreeva, the king of all Vanars (monkeys) in Kishkindha and helped them to find Sita. Prior to the war between Sri Rama and Ravana, Anjaneya visited Lanka, met Ravana, created havoc and burnt down the city of Lanka (Lanka Dahan). During the war, when Lakshmana was injured seriously, Sushena, the surgeon/physician of the monkey army, dispatched Marutinandan to bring herbal medicine, Sanjeevini, from the far-off Sumeru Mountain in the Himalayas, before sunrise. Flying over the Himalayas and unable to identify the particular herb fast, Hanuman uprooted and carried the entire mountain in time to save the life of Lakshmana along with the rest of the Vanar army. Hanuman was blessed by Sri Rama with immortality (chiranjeevi) at the end of the war.

Hanuman was a bachelor (brahamachari) and is worshipped in all the temples of India. Every temple of Sri Rama contains an icon of Hanuman. Worship of Sri Rama is complete only with the worship of Hanuman. There are various temples dedicated solely to Lord Hanuman also. Sant Tulsidas composed the 40 stanzas of Hanuman Chalisa in praise of Hanuman.

The worship of Hanuman symbolizes the worship of the Supreme Lord, for acquiring knowledge, physical and mental strength, truthfulness, sincerity, selflessness, humility, loyalty, and profound devotion to the Lord. Students pray to him for intelligence and soldiers for strength. In olden days, there used to be temples of Hanumantha, at the gates of forts. The gymnasium of wrestlers invariably have his picture.

Hanuman Jayanti is the birth anniversary of Lord Hanuman.







dhraksharama(bhimeshwara temple)

Sri Bhimeswara Swami Temple, Draksharama


Draksharamam is located 28 Km from Kakinada,50 Km from Rajahmundry and 25 Km from Amalapuram. Throughout the length and breadth of the Sacred "Mother India", there are many pilgrim centers. From amongst them "Draksharama" is the one in the Southern India on the Eastern Bank of the River Godavari. It is colloquially known as Draksharama carrying the implied meaning as "Draksharama" meaning the Abode of Daksha Prajapathi - the Father-in-law of Lord Siva and the beloved Father of 'Sati' the spiritual spouse of Lord Siva.

Sri Bhimeswara Swami Temple

The history of the Sacred Pilgrimage is exhaustively dealt within the 'Skanda Purana' of Sri Vyasa. To give a brief narration of the same the story goes thus. Once Daksha Prajapathi decided to perform a Yaga. In pursuance of the same, he had been to Kailasa to invite Gods and Goddesses to sanctify his 'Yazna' and accept his hospitality. But when he had been there, Lord Siva was in his Court immersed in his spiritual splendour. But Daksha Prajapathi out of his ego of being the father-in-law of Lord Siva, mistook the Lord's trance as indifference towards him.

So, being put out at the difference of his Son-in-law he came back without inviting the Lord and the Lady to his sacrifice.

Sati in her womanish nature requested Siva to permit her to attend, the sacrifice at her parental home, even uninvited and have the pleasure of the performance and the association of her kith and kin. But Siva explained her the tragic implications that she might have to face at her parental house and let her to at her own wish. But, when she actually stepped into her parental home, none greeted her or even just asked her a mutual exchange of her well-being. Then Sathi was put out with the humiliation she had to face amidst her own blood and then and there, decided to give up her body instead of facing her beloved husband with a fallen face. So, she gave up her body then and there and fell down dead. Siva having come to know of the tragic end, sent his son 'Veerabhadra' to boot down the ego of Daksha. Siva in his pangs of separation with Sati came down to her dead body and shoultered the corpse over his shoulders and danced in 'Pralaya Thandava'.

Sri Raja Rajeswari Ammavaru

At this juncture, the Lord Vishnu, the presenting, force of Universe, sent his 'Chakra' to cut down the body of Sathi and redeem the grief of Lord Siva. The Chakra came and cut the body of Sati into eighteen pieces feel in eighteen parts of this 'Punyabhoomi' of ours and came to be known as 'Ashta Dasa Peethas' and out of these eighteen Sri Manikyamba of Draksharama is the Twelfth.

Sri Bhimeswara Swamy Varu

This Holy Pilgrimage is one of the rare few, where the God and Goddess are equally important. One is Varanasi in Northern India with Viswanatha and Annapurna. Second is Srisailam in Southern India with Sri Mallikharjuna and Bramaramba and third is Draksharama with Bhimanatha and Manikyamba.

There are many mythological anecdotes scattered in many of the Sacred puranas about the 'Swayambhu' aspect of the Lord's existence here.

One of many is for once who is curious to know that Bhimanatha came down from Kailasa and settled here at the request of Parvathi herself who happened to be the daughter of Dakhsa.The historical aspect of the temple goes from the thirteenth century onwards.

This temple is one of the "Pancharamas". This is an ancient and holy pagoda. This is one of the reputed piligrim centers in Andhra Pradesh. Thousands of pilgrims and devotees visit the temple and worship the Lord to receive blessings.

This temple is a protected Monument. The Archaeological Department has to undertake the renovation works of this temple to create beauty and divine atmosphere. The wealth of inscriptions and epigraphical details that can be glanced from the inscriptions on the walls of this temple are a paradise for the epigraphist and the historian.

This temple is managed by the Executive Officer under the control of the Endowments Departments. Devi Navaratrulu, Karthika Masam, Dhanurmasam, Birthday Celebration of Sri Bhimeswara Swamy varu, Subrahmanya Shasti, Maha Sivaratri and Kalyanam etc., are the important festivals of this Temple.

Sri Bhimeswara Swamy Temple Side View

devipuram(near vizag)

Devipuram awakens the goddess in you. In contrast to other places of worship, you can request and receive worship as the embodiment of a living Goddess yourself here. It is located 30 km from Vizag city, 25 km from airport and 13 km
from Anakapalle rail station.

Devi.
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Downloads Come here to learn authentic Chakra Pujas according to the great Datta avadhuta tradition which sees divinity in nudity. You can learn the techniques of how to do and receive puja to the body of a living Goddess. Download many excellent learning tools: audios, books, documents, pictures and videos from this site for free or for a donation.

TemplesDevipuram is home to the largest Sri Chakra in the world, 108' x 108' x 54'. You can actually walk into it and see many life size sculptures of Khadgamala shaktis nude. One thousand devotees can do Rudrabhishekam individually to 1000 lingas at the same time in Dakshavati. Couples desiring conjugal bliss or children worship Ananda Bhairava Linga in the form of an unhooded phallus in hill temple. Kamakhya peetham in the form of a yoni along with Goddesses of Dasa Maha Vidyas bless Shakeyas. Regular rituals are performed for Ganapaty, Shyama, Chandi and Varahi, and Lalita, main goddesses of the Sri Vidya tradition. A Pyramid meditation center overlooks the scenic beauty of the place. An open-air auditorium offers a weekly venue for fun, music and dance competitions for youth to enjoy and make friends.

EventsInternational seminars on yoga and tantric rituals, cultural events, corporate workshops, community marriages, upanayana, etc are held frequently here. A calendar of events and Guru tours is available on this website. Ambitious projects for making Devipuram a place of excellence are under way; the project is called Manidveepa.

SeasonHundreds of devotees and fun seeking youngsters visit Devipuram every day for doing pujas, learning tantra in the temples; relax or have fun in the gardens. The rush season is from Oct. to Feb. Ganapati, Sharada Navaratris, Brahmotsavamin Kartika Punnami, New year , Siva Ratri, and Guru pournami are the festive seasons attracting lakhs of visitors every year.

ToursBeaches of Vizag,. Buddhist monuments of Bojjanna Konda; Lotus ponds of Kondakarla; a thousand year old temple of Man-Lion form of Vishnu in Simhachalam are all within 1 hour by cab. Stalactite and stalagmite caves at Borra, tiger reserves and tribal villages of Araku valley are within 3 hrs from Devipuram. You can visit all these easily in three days.

StayCottages, Suites, Rooms, Dorms, Domes, for overnight stay for families and groups participating in workshops are available in standard and economy rates on the property. The prices range from about Rs 200 to Rs 50 per person for lodging depending on availability. A Cafeteria serving veg meals and a Bouquet for buying divine articles are available on property.

How to reachBy Air: All major cities Hyderabad, Chennai, Bangalore, Mumbai, Delhi and Kolkata have daily flights to Vizag. Book early to get low fares. Paramount, Jet, Kingfisher, Air India have good flights. From airport, take a cab, go to Sabbavaram, on towards Anakapalle 5km, turn at road sign 1km.
By Rail: Get down at Vizag 30km; or nearer, Anakapalle 13km.
By Road: 5km from Sabbavaram, and 13 km from Anakapalle; Devipuram road sign is on the road between Anakapalle and Sabbavaram. From it, go 1 km inside on a smaller road. The roads are good.

Devipuram past &present

Whorls of hazy blue mist swirl down the verdant hillside, gently blanketing the temple and the tiny cottages. Like a jewel resting in the bosom of the green hills all around, Devipuram is nestled amidst the folds of the Eastern Ghats, near Visakapatnam, Andhra Pradesh.

If you are looking for a destination that will help you get in touch with your senses, if you are seeking to discover your Self, then visit Devipuram. You will realize that you’ve always belonged to this place. The sacred vibrations here will awaken your dormant spiritual energy and nature.

Devipuram is an enigma to visitors: They talk about it in hushed silence; sometimes even with laughter! What is it? A New Age paradigm, or a vision of a hoary antiquity? Or perhaps it is a call to the spirit of Woman to discover herself and unfold her potential to lead the world into compassion, harmony, peace, and love.

Whatever it is, it is unique in many ways – both tranquil and exciting, and rich with the potential for self-discovery. It is the first pyramidal Sri Chakra Meru that anyone can actually walk into. It measures 108 feet square on the ground, and soars majestically to 54 feet high, in three stories.

There are 108 life-sized icons of the Goddesses of the Khadgamala Stotram here, in living color. You can sit in front of any or each of them inside the Sri Chakra – to meditate, do archana, or even homa. This is the first time one can actually, physically see the deities of the Khadgamala. Some of them are sky-clad, implying that they have nothing to hide, they are pure shaktis. The thousand-eyed Lalita Devi called Sahasrakshi Rajarajeshwari Devi is the pervading presence everywhere. The Sri Meru housing them all is the King of Yantras, offering unbelievable benefits to sincere aspirants who visit. Devipuram is a place with extreme potential; and a place where peace is palpable and tangible.

Who envisioned it? How was the place chosen? Why are some icons of goddesses seductively nude? For what purpose is this temple built?

The visionary behind Devipuram is a former nuclear scientist by the name of Dr. Nishtala Prahlada Sastry. Lovingly called Guruji today, he worked at the Tata Institute of Fundamental Research in Mumbai (Bombay) for 23 years; later he worked as a teacher in Africa for two years.

Guruji resigned his job after receiving a wake-up call from Bala Tripura Sundari at the Balaji Temple, Hyderabad. Prompted by Her, he began building this temple to Lalita in the form of the Sri Chakra Meru, in order to share the worlds he had seen and the joys he experienced in Mani Dweepa, the sacred Sri Chakra.

At Her instance, he performed a Devi Yagam in Visakhapatnam in 1983, when he received the place where the temple stands today. After coming here, he saw the Goddess of Creativity, Kamakhya Devi, in a triangular pit formation in a rock boulder nearby. She showed him all the various deity forms who receive puja in Sri Chakra, and gave him many experiences of the Kula pujas of yore, which she enjoys. He recorded these visions of yoginis and deities through the visual medium of sculpture. She guided him at every step in the building of the present temple. He struggled for 11 years in this wilderness to bring this Sri Meru Nilayam temple into reality.

Not content with merely sharing his spiritual visions, Dr. Sastry – by this time known by his Diksha name Amritanandanatha – founded a registered public charitable trust called the Sri Vidya Trust. Assisted by a band of committed youngsters, he initiated an array of rural development activities, including 50 night schools for dropouts in the 6-14 age group; mobilizing 4,000 women to run a Macts(mutually aided cooperative thrift society); a self-help, thrift-banking project called Jagruthi; a hospital on wheels; designs for low-cost housing; a computer-assisted adult-education project covering 12 villages; and so on. The vision of Sri Vidya Trust is to inspire people to improve their lot in life, and to empower them to make positive and enduring contributions to society.

As Guruji says, “If God had patented the air, we could not breathe.” He believes that we all benefit by sharing our love and ideas. Only by sharing love does one grow.

Devipuram has become a great resource for quenching the thirst of serious Sri Vidya Upasakas, who marvel at the vision behind it. Spiritual renewal is a subjective development, best experienced by oneself. Devipuram has everything necessary to elevate you mentally, physically and – most important – spiritually. So come, enjoy, empower and realize yourself.



CHILUKURU BALAJI TEMPLE



Twenty Five kilometers from Hyderabad off the Vikarabad road and on the banks of Osmansagar is the picturesque village of Chikur with its hoary temple dedicated to Sri Balaji Venkateshwara. From the style, structure and appearance, it can be inferred that the temple was built half a millennium ago. Set in sylvan surroundings, the temple attracts thousands of pilgrims every year and is an ideal place for sequestered retreat and meditation. It enjoyed in the past, great days of pomp and glory.

The temple is one of the oldest in Telengana, having been built during the time of Akkanna and Madanna, the uncles of Bhakta Ramdas. According to tradition, a devotee who used to visit Tirupati every year could not do so on one occasion owing to serious ill-health. Lord Venkateshwara appeared in his dream and said, "I am right here in the jungle nearby. You don't have to worry." The devotee at once moved to the place indicated by the Lord in the dream and saw a mole- hill there, which he dug up. Accidentally, the axe struck Lord Balaji's idol covered by the mole-hill below the chin and on the chest, and surprisingly blood started flowing profusely from the "wounds", flooding the ground and turning it scarlet. The devotee could not believe his eyes when he saw this. Suddenly he could not believe his ears also when he heard a voice from the air which said,"Flood the mole-hill with cow's milk. "When the devotee did so, a Swayambhu idol of Lord Balaji accompanied by Sridevi and Bhoodevi(a rare combination) was found, and this idol was installed with the due rites and a temple built for it.

Sri Balaji venkateshwara, the Pratyaksha Daiva in kaliyuga, is thus available at Chilkur to shower blessings on His devotees who for any reason are unable to go to Tirupati. Many devout worshippers flock to the temple, to receive the blessings of the Lord and his consorts throughout the year particularly during the Poolangi, Annakota and Brahmothsavams

With the earnest desire to revive the former glory and importance of the temple, the idol of Ammavaru was installed in 1963 the year following the Chinese aggression, and when the aggression was unilaterally vacated, Ammavaru was given the name of Rajya Lakshmi, signifying this welcome event. The unique feature of this idol is that lotus flowers are held in three hands and the fourth hand is in such a position towards the lotus feet which signifies the doctrine of Saranagathi.

The temple has been visited by great Acharyas from time to time. A visit to the temple is a must for the Jeer of Sri Ahobila Mutt every time he visits the twin cities, and in the temple is installed the idol of the first Jeer. The Tilakayaths of Sri Vallabhacharya Sampradaya have been regularly visiting the shrine. Jagadguru Sri Sankaracharya of Sringeri Mutt and his disciple graced the efforts of the trustees in improving the temple.

Birlamandir(lord venkateshwara)

Birla Mandir
An enchanting temple dedicated to Lord Venkateswara, the Birla Mandir of Hyderabad, India stands in its entire splendor on the hilltop of Kala Pahad. Made of pure white marble from Rajasthan, the Birla Mandir overlooks the serene and placid waters of the Hussain Sagar Lake. The famous Birla industrialist who had built a large number of temples all over India built the Birla temple of Hyderabad. They finished building the Birla Mandir of Hyderabad within a time span of ten years. The magnificent shrine offers a wonderfully breath-taking view of the twin cities of Hyderabad and Secunderabad.

The intricate carvings of the temple, the ceiling and the mythological figures are a standing testimony to the dexterity and sculptural excellence of the craftsmen. Beautiful scenes from the great epics of Ramayana and Mahabharata are finely sculpted in pure white marble. The temple is devoted to Lord Venkateswara who is also known as Balaji, though the temple is known as Birla Mandir. It is a wonderful blend of the architectural style of northern and southern temples.

As you enter the temple you can see the 'Gopuram' or the pyramid shaped temple top, which is a characteristic feature of South Indian temples. The tower situated at the top of the principal deity called the Jagadananda vimanam is again built in the Orissan style. The flagstaff of the temple is made up of brass, and reaches to a staggering height of 42 feet.

The granite stone, out of which the idol of Lord Venkateswara has been carved, is about 11 feet tall. A Lotus shaped canopy at the top of the idol is again done in marble and looks stunning. Along the winding path that leads to the main worship place, are many marble statues of Gods and Goddesses of Hindu mythology that look almost real. In case you visit the temple in the early hours of the day, you can hear some very melodious South Indian music in the praise of the Lord. The Birla Mandir of Hyderabad becomes a spectacular sight in the evening when it is illuminated with hundreds of bright lights.

Bhadrakali temple in hanmakonda



Bhadrakali Temple at Hanamkonda is significant Devi temple located
Bhadrakali Temple on the hilltop between the twin cities of Hanamkonda and Warangal in Andhra Pradesh. The temple is held in high esteem by devotees of the of Goddess Bhadrakali popularly called the ‘Grant Mother Goddess’. Remarkable feature of the temple is the square shaped stone image of the Goddess (2.7 X 2.7 meters). In the image goddess is seen in a sitting posture with fierce looking eyes and face. The Goddess can also be seen wearing a crown and having eight hands holding various weapons.

Major Attractions of Bhadrakali Temple
High point of Bhadrakali Temple is an artificial lake of 2 ½ kms radius in the vicinity of the temple. Number of natural rock formations in the surroundings add to the spiritual charm of the temple and are the most dominant feature of the temple. Some of the unique shaped rocks are said to carry immense spiritual powers. The structure of the temple is said to be 250 years old. Though the image of the deity is called the Bhadrakali, the goddess is said to have been transformed by the mantras into a very rare form called the Tripura Sundari, which includes the Kali form. Tripura Sundari is regarded as the supreme manifestation of Prakriti - the feminine power which is the vital energy of the universe. Literal meaning of Tripura Sundari is 'The Beauty of the Three Worlds' or more precisely the three Cites or 'Pura'.

Best Time to Visit Bhadrakali Temple
The best time to visit the famous Bhadrakali Temple in Warangal is the Telegu month of ‘Sravana’ which corresponds to the month of August - September according to Gregorian Calendar. At this time a festival is organised and the deity is aesth
Bhadrakali Templeetically decorated in various forms. Housing about 8 major and 12 minor temples surrounding mountains of Bhadrakali Temple exude a sacred aura when a large number of devotees gather to offer prayers.

People who visit Bhadrakali Temple also visit Hanamkonda Fort which is just a kilometer away from the another well known thousand pillared Hanamkonda Temple. Inside the fort is the Siddeshwara Temple housing a small Linga shrine.

badrachalam(sriram temple)

http://upload.wikimedia.org/wikipedia/en/1/17/Badrachalam.jpg

Badrachalam is famous throughout India for its temple of Sree Seetaramachandra Swamy. Situated on the left bank of the mighty river Godavari. It is a place of pilgrimage for Hindus, as it is considered to be one of the greatest holy shrines in South India with a historical background. On Sreeramanavami (marriage anniversary celebrations of Lord Rama and his consort Sitadevi) an estimated three lakh people congregate here to witness the holy "Kalyana Mahotsavam" marriage ceremony.

The puranic and historic facts relate that Lord Rama long after he had shed his mortal coils manifested himself to savehis devotee Bhadra Maharshi whom he promised ‘moksha’ after intensive prayer. That is why the village is named after Bhadra as Bhadradri or Bhadrachlam. It is said that Srirama appeared in a dream to a woman called Pokala Dammakka and informed her about the existence of idols on Bhadragiri hills. To her surprise she found the idols and out up a modest structure. This was the origin of the present temple.

Later in the 17th century Gopanna commonly known as Ramdas had spent 6 lakhs of rupees to renovate the temple. He was the tahsildar in the court of Abul Hassan Tanashah and the money he spent for renovating the temple was the revenue collected by him. Instead of remitting the money to the government treasury, he utilized the amount for the temple because of which he was arrested. One can still see the cell where he was confined in the Golconda fort. At this juncture Srirama himself appeared in Tanashah’s dream produced a receipt which denoted payments of the amount back to the king in the shape of gold coins known as ‘Ramamada’ in ‘Rama Tenki’. Next morning the Sultan personally came to the cell where Ramdas was interned and released him. The Sultan was awe struck by this miracle and bestowed a number of gifts on Gopanna and also restored him to his position of Tahsildar. He also announced annul grants to the temple which continued under Nizam’s Government. Some of the jewels like ‘Kalikiturai, Pachala Pathakam, Chintaku Pathakam’ presented to Lord Rama and Sita by Ramadas are still preserved in the temple and they can be seen even now.

History of temple
A sacred place that attracts lakhs of devotees from all over the world, it is the abode of Lord Rama (The seventh incarnation of SriMahavishnu). This hill place which is encircled by holy river Godavari flowing towards southern direction is the famous shrine Bhadrachalam-The name derived from Bhadragiri (Mountain of Bhadra-a boon child of Meru and Menaka). According to a Ithihasas, the significance of this shrine dates back to the Ramayana Era. This coherent hill place existed in "Dandakaranya" Of Ramayana period where Rama with his consort Sita and brother Laxmana had spent their vanavasa- and Parnashaala(the place connected to the famous Golden Deer and the place from where Sita was abducted by Ravana.) is also in the vicinity of this temple site. It is at this Mandir site that, long after Ramavatara, Bhagawan Mahavishnu manifested Himself as Rama again to fulfil a promise He made to His Bhakta Bhadra, who continued his Tapas through Yugas, praying for the grace of the Bhagawan Sri Ramachandra murthy.

Exigency of Incarnation
The history depicts that the need emerged for the incarnation of Vykuntha Rama to fulfill a long desire of his ardent devotee Bhadra.


Maharshi Bhadra
Bhadra performed penance at the bank of river Godavari in this " Dandakaranya" to get grace of lord Rama and subsequently in the countenance of his beloved God-the exulted "Rishi" implored Rama to be seated on his head. But Rama who was in search of his consort Sita, gave promise to his Bhakta that his desire would be fulfilled on his way back, after finding Sita and accomplishing the process of punishing the wicked Ravana and establish 'Dharma'. Thus the sage had been in continuation of the frightened penance as Rama could not accomplish the promise in Ramavatara. Then, Sri Mahavishnu manifested himself as Vykuntha Rama and rushed to his devotee Bhadra, signaling his arrival by blowing 'Shanku'(Conch), accompanied by his consort Sita and brother Laxmana, resembling that of 'Gajendra Moksham'-Thus, the moorthies of Rama (having four hands)-Shanku(Panchajanya-Conch)on the right, Sudarshana Chakra at his left and Dhanurbhana (Bow and Arrow in the rest two hands), Sita had condescended on the left lap of Rama and brother (at Rama's left) have existed. And the hill place where the Deities were seated on, was the head place of Bhadra -achalam (hill), thus this shrine was transformed into Bhadrachalam.

The idols of Vykuntha Rama, Laxmana and Sita were found by Pokala Dhammakka. Pokala Dhammakka, an ardent devotee of Rama lived in the 17th century and was an inhabitant of Bhadrireddypalem, a mile away from this holy place. On one fine night, she had darshan of Rama in her dream who said "the saints and sages are worshiping my embodied moorthy settled on Bhadragiri" and asked her to trace them, perform pooja and attain salvation. On the very next day morning she started searching for the idols-peeped into an ant-hill and found the idols hidden in it. She poured hundreds of pots of Godavari water on the ant-hill which tardily dissolved and gave way for the appearance of the hidden Deities. Since then, she used to perform pooja daily and offer 'naivedyam' with fruits fallen from near palmyra tree and constructed a mandapam of thatch hut with the help of local villagers. Bhagawan Rama told Dhammakka that at a later date, one of his devotees would construct a Mandir at this site. Dhammakka waited patiently for the devotee. The devotee turned out to be Bhakta Ramadas.

Bhakta Ramadas and construction of temple
Bhadrachalarama temple was constructed by Kancharla Gopanna popularly known as Bhakta Ramadas in the year 1674 A.D.

Kancharla Gopanna, popularly known as "Bhakta Ramdas", a fervent devotee of Rama, was born to Linganna Murthy and Kamamba in Nelakondapalli village of Khammamett Taluk in 17th century (1620 AD). He was nephew of Akkannna, the administrative head in the court of Nawab Abul Hussan shah known as 'Taneshah' of Golkonda (he was the last ruler of Golconda before Aurangazeb captured it in 1687A.D.) and was appointed by him as Tahsildar of 'Palvoncha Paragana'. Thus he was discharging his official duties earnestly and collecting revenues due to the Nawabs in continuation of daily preaches -Chanting of 'Ramanama' and the feeding the poor at his house. Ramadasa, who heard the news that the villagers of palvoncha paragana were proceeding to witness a Jatara at Bhadrachalam , became curios and he too visited Bhadrachalam. He found the deities in an amazing appearance. Ramadas, then asked the villagers to contribute liberally for the construction of the temple. After the contributions were found to be insufficient, the villagers appealed him to spend the revenue collections for the construction of the temple with a promise to repay the amount after harvesting the crops. Accordingly, Ramadas constructed the temple with an amount of Rs 6 Lakhs collected from the land revenues with out the permission of the Nizam Nawab.

When the temple reached to the nearing completion, he had a problem of fixing 'Sudarshana Chakra' at the crest of the main temple. He was deeply distressed and fell into sleep. On the same night, Rama in his dream asked him to have a holy dip in river Godavari where he will find that-accordingly. On the next day morning Gopanna did so and found holy Sudarshana Chakra in the river with out much difficulty. He presumed that Sudarshana Chakra itself was shaped up with the divine power of his beloved God Rama. Soon after the construction, his miseries started. He was dismissed from service for mis-utilisation of revenue for constructing the temple and was kept in jail for 12 long years in Golkonda Fort and was tortured. Unable to withstand the miseries, Ramadas implored Rama to relieve him by singing many praising and emotional songs which got popularized from the stanzas of 'Dasaradhi Sathakam' and 'Keertanas' of Bhakta Ramadasa.

The Nizam Nawab Tanishah, the then ruler of Nizam's territory became a devotee of Rama who realised the devotion spirit of Ramadas after his imprisonment and took over the charge of temple administration. This resembles the communal harmony amongst the Hindus and Muslims. The Nizam Nawab realised Ramadas'devotional spirit and dedication towards Rama, when Rama and Laxmana repaid 6 lakh Mohurs exposing themselves as Ramoji and Laxmoji, the servants of Bhakta Ramadas to get release of their devotee from the imprisonment. Thanisha gave voucher to these divine looking persons who approached him at his house during late night. Then they kept the voucher under the pillow of Gopanna where he was jailed. Tanishah who woke up on the very next day morning realised that those divine looking persons were none other than Rama and Laxmana and made arrangements to get release of Gopanna and prayed to forgive him by placing all the Gold Mohurs received last night at the feet of Gopanna. But, he refused to take back those mohurs except two as a mark of divine significance. (Those two can still be seen kept in Bhadrachala Sri Sita Ramachandra Swamy vaari Devasthanam).

Influenced by the majesty of Lord Rama, Golkonda Ruler Tanishah earmarked the income derived from the said Palwoncha paragana which came to Rs 20,000 and odd for the maintenance of the temple which was continued during Nizam's reign and offering Pearls (Mutyala Talambralu) on the occasion of kalyana mahotsavam (Sri Rama Navami) to Deities on an elephant through a specially sent messenger. That procedure of sending pearls to the Deities is still followed by present state Government and continues to offer during Sri Rama Navami Festival (Kalyana mahotsavam). Tumu Narsimha Dasa,Tahasildar of Palwoncha paragana,along with his associate Varada Ramadasa came here from Guntur and took over the charge of Bhadrachalarama temple after Ramadas made inscripted the performance of Nitya Poojas and sevas right from early morning "Suprabhata Seva" till night "Pavalimpu Seva" before closure of the temple as "Silaasaasanaalu" on these two pillars. This inscription gives details of daily dictum and daily rituals also.

Visiting places

Parnashala

This is supposed to be the exact spot where Rama, during his vanavasa in Dandakaranya, constructed a hermitage and spent his exile with his concert Sita and brother Laxmana. Agastya had selected this spot for Rama and is about 35KMs from Bhadrachalam.

The picturesque display of some scenes of vanavasa could be seen at Parnashala. One can see the foot prints of Sita devi, Mosaic of Maarecha in the guise of golden deer and Ravana in the guise of Sanyasi for Bhikshatana. Also found in the vicinity are Sita Vaagu-where she had bathed and collected the turmeric and Kunkum from near by stones and the marks of her saree on the rock near Sita Vaagu. These are all the visiting places for the piligrims. As Ravana kidnapped Sita, the deity at Parnashala is called Sokarama. The tracks of the chariot of Ravana while kidnapping sita can be seen on the mountain on the other side of the river bank at Parnashala temple.

Jattayu Paaka (Yetapaka)
This Place is situated from 2Kms away from Bhadrachalam. According to Itihasas, the bird Jatayuvu, a devotee of Rama had obstructed Ravana while he was proceeding on the chariot after kidnapping Sita. After the fearful battle between Ravana and Jataayuvu, the heavily injured bird had waited at this place in search of Rama. A wing of this bird fell at Rekkapalli, about 55 Kms from here, in V.R. Puram Mandal.

Dummugudem
Here Rama is called the Atmarama. The story reveals that Rama killed 14000 demons headed by Kharadeoshana. As the village was said to be built upon the ashes of these demons, the place is named after as Dummugudem.

Gundala
It is a place 5 Kms away from the sacred town Bhadrachalam, where springs of hot water could be traced on the river bank when we dig a pit at any place in this area. It is believed that the divine trios (Brahma Vishnu Maheswara) had their dips in winter season according to Brahma Purana.

Sree Rama Giri
This place is situated on the bank in the down stream of river Godavari, about 55 Kms from here. The deity of Yoga Rama Temple is on a hill and is named as Ramagiri.

Basar temple(saraswathi temple)

Gnana Saraswati at Basar (A.P)

Basar is a village with wonderful gardens surrounded by the temple premises amidst the dry and barren patches of the north Telangana region, 30-km from Nizamabad. Basar is situated on the banks of River Godavari. It is located at a distance of about 220-km by road and 190-km by rail from Hyderabad.

This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period.This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period... This is an ancient temple dedicated to Goddess Saraswathi. The temple at Basar is also the abode of Goddess Lakshmi and Kali. The current structure dates back to the Chalukya period...

"Postal Aksharabhysam Scheme"

"Postal Aksharabhyasam" Scheme is in association with the Indian Postal Services.
All you have to do is to go to your nearest Post Office in your town, ask the postal clerk
about the " postal Aksharabhyasam Scheme". Pay Rs.75 along with the name of the child and Gotra.
for the pooja.
Temple will perform pooja on the child's name and will send you Magic Slate, Kum Kum,
Turmeric, Misri, and Kankanam ( Sacred Thread).
For any questions contact your nearest post office.
This scheme is available throughout India.

Delay in "Postal Aksharabhyasam"

Devotees are experiencing the delay in getting the Aksharabhyasam slate and prasadam. Inconvenience is is due to the postal delay. Temple is not being updated with the money orders everyday. Devotees are requested to bear the inconvenience

Alternate way of availing the Postal Aksharabhyasam Scheme:

Send Money Order of Rs. 100 To Excutive Officer.
Your request will be expedited and Slate and the prasadam will be sent through private courier.


Annavaram temple(satyanarayana swamy )


Annavaram temple view at the topAnnavaram temple of Lord Sri Veera Venkata Satyanarayana Swamy is located at a distance of 125 KM from vishakapatnam 80 KM from
Rajamandri National Highway number 5 passes through Annavaram. The bypass road (NH - 5) goes straight and to visit the temple take right turn in the junction near the Annavaram. It takes two and half hours from vishakapatnam from Rajamandri side it will take 2 hours. Separate pooja halls are available for offering special pujas.

Annavaram railway station is located at main Chennai – Howrah (Kolkatta ) railway line. Many trains stops here and from the railway station the temple is 3 KM. While going towards Chennai side this temple falls in right side and can be seen from the moving trains. Railway station and moving trains are visible from the temple also.
There are so many parking places for private vehicles on the hill surrounding the temple. Well equipped lodge facilities available. Free darshanam is with normal que and special darshanam with additional fees of either INR 25/- or INR 116/- are also available.

Prasadam counter is available on the national highway for those who are not able to visit the temple.
This temple is located at a hill top. Vehicles are allowed to climb up the hill. At the top of the hill guest houses for staying are available. Many mirages are preformed here so during this seasons you may have to book in advance if you a plan to stay here. There is a facility of quick Darshan in busy seasons. The main status is covered in two floors. The ground floor is for Pada darshan or to view the feet of the god. The first floor is the upper part of the Lord Venkata Satyanarayana Swamy.

From this hill top you can get a panoramic view of the surrounding green fields and villages. There is a river water barrage with boating facility and it can be visited while going up or while returning from the temple, available nearer to the main entrance of the hill. This place is called Pampa Sarovara. Boat ride gives a memorable experience to the visitors.
Inside the main temple complex photography is not allowed. However, around the temple there are so much of panoramic view available for viewing and enjoying the nature's beauty.

Temple history

As per the puranas the presiding deity of the place blesses the devotees with Anina Varam (Wanted Boon) the place is called Annavaram.

The hillock by the side of the village is considered to be very sacred. Meruvu the Lord of the hills and his consort Menaka did great penance and begot two sons by the grace of Lord Vishnu. One was named Bhadra and the other Ratnakara. Bhadra pleased Lord Vishnu with his devotion and penance and with his grace became Bhadrachalam on which Lord Sri Rama had permanently settled. Ratnakara desired to emulate his brother and succeeded in pleasing Lord Vishnu by his penance to settle on him as Veera Venkata Satyanarayana Swamy, Ratnakara remaining as Ratnagiri hill.

The temple of Sri Veera Venkata Satyanarayana Swamy is the main temple on the Ratnagiri hill. There is also a temple of Sri Rama and the shrines of Vanadurga and Kanaka Durga nearby. The temple of gramadevatha (village deity) is in the village at the foot of the hill.

It is said that Raja I.V.Ramanarayanam,the then zamindar of Gorsa and Kirlampudi estates, having been ordained by the Lord in his dream, traced the idol on the hill, worshipped it and installed it at the present spot on sravana suddha vidhiya of the telugu year Khara, 1891. The hillock it self is about 300ft above sea level, green fields all-round the hills and the pampa river encircling Ratnagiri. About 460 well laid stone steps leads to the top of it.

“The main temple constructed in the form of a chariot with the four wheels at each of the four corners. In front of the main temple is the kalyana mantapa, constructed and decorated with modern pieces of architecture. As we go down the way, we come across Ramalaya and then the shrines of Vana Durga and Kanaka Durga.

The Akriti of any temple is, according to the Agni Purana, merely a manifestation of the Prakriti. According to this the chariot of the temple is intended as a symbol of the Seven Lokas and the seven Lokhas above with, the garbhalaya of the Lord, at the heart’s center ruling over the entire Universe.

The temple at Annavaram has been constructed to depict this idea concretely. The front side of the temple depicts the chariot. The Meru on the floor with the pillar at the center, and the idols at the top are intended to bring forth the idea that the Lord not only remains at the heart’s center but also permeates the entire universe. The wheels depicting the Sun and the Moon serve to remind us that this Juggernaut moves on the wheels of time, and goes on for ever and ever, Thus the Annavaram temple satisfies both the ritualistic values and the spiritual aspirations of the devotees.”



Ashtalaxmi temple in hyderabad(goddes lakshmi)

Ashtalakshmi temple

It is about 12 kms from the Nampally, stands distinctly on the outskirts of the city of Hyderabad in Vasavi Nagar, Dilshukhnagar. The temple is popular for the Goddess"Laxmi" constructed of sand and cement, its consecration by Sri Jayendra Saraswati Swami, the Sankaracharya of Kanchi Kamakoti Peetham, in April 1996 and is one of its kind in the state of Andhra Pradesh. It is one of the two Ashta Lakshmi temples in the country, the other being in Chennai. The well-known architect, Ganapati Sthapathi, conceived the structure and design of the temple. The idols of Ashtalakshmi, Sriman Narayana, Sri Ganapathi and Sri Garuda were designed by Subbaiah Sthapathi. Ashtalakshmi stands for the eight manifestations of Mahalakshmi: Santaana Lakshmi, Gaja Lakshmi, Dhana Lakshmi, Dhaanya Lakshmi, Vijaya Lakshmi, Dhairya Lakshmi, Adi Lakshmi and Vidya Lakshmi. The temple has now become the hub of spiritual and religious activities. There is a mahagopuram, which is decorated by about 134 vigrahams (idols). Watching it from a distance, the temple looks like one made from marble.


You have come to Hyderabad the state capital of Andhra Pradesh to imbibe the culture and customs of this unique country India. Stay connected to enter into a visual tour to India and its unique cultural heritage.

The Temple of Ashtalakshmi in Hyderabad is placed in the Vasavi Colony, Dilsukh Nagar, Hyderabad. You can take the help of the local transport to help yourself to reach your desired destination. You do not need to panic as the site of the temple has number of good food outlets and also there are many accommodation options for you to choose from, so do not be wary of traveling to the wonderful precincts of Dilsukh Nagar, Temple.


The entry to the Astalakshmi Temple, Hyderabad is absolutely free, so don't you think your wait is finally over, come under the peaceful canopy of Goddess Lakshmi.

The temple of Astalakshmi is built in honor of the Goddess of Lakshmi, the incarnation of wealth and prosperity. The temple is the one of the Hindu temple amidst the Islamic structure speckled Hyderabad. The temple was built over a span of five years, the architect Ganapati Sthapathi made the creation possible from designing it and lending it a structure. The Mahagopuram was built by the one hundred and thirty four idols and the idols of Ashtalakshmi, Sriman Narayana, Sri Ganapathi and Sri Garuda reigns the inner sanctum.

ARDHAGIRI TEMPLE(ANJANEYASWAMY TEMPLE)

Ardhagiri Sri Veeranjaneya Swamy Temple

This temple situated at a place called Arakonda(Chittoor District in Andhra Pradesh), around 10 Kms from the famous Kanipakam Temple near Tirupati.Arakonda or Ardhagiri as the place is known, means a piece or part of mountain.

Legend:
This famous temple that attracts devotees from far and wide has a legend.Ramayana is one of the famous epics of India. It is believed that Sita, wife of Lord Rama was abducted by the mighty Ravana, the Demon King, and kept as a prisoner at Lanka (now Srilanka), the island kingdom of Ravana.Rama with the help of monkeys,waged a war and killed Ravana to get back Sita. During the battle Lakshmana, younger brother of Rama was battling with Ravana. He became unconscious when one of the arrows of Ravana hit him. So the Physician wanted a herb known as "Sanjeevani" to resurrect Lakshmana.

This herb was available in the mountainous regions of the Himalayas which were far away from the Lanka.Hanuman or the monkey God, who could fly long distances in no time and who had immense strength and intelligence was deputed to bring the herb, but before sunrise. Hanuman went to the Himalayas in no time. But he could not differentiate between the various herbs and plants available. So He just plucked the entire mountain and carried back to the place where Lakshmana was lying unconscious.


Hanuman carrying the Sanjeevani Mountain

During this journey, it is believed that a piece of rock from the mountain fell into the tank. Since a piece of mountain fell here it got its name of Ardhagiri or Arakonda.


The Tank where the piece of rock fell


Statue of Lord Hanuman in meditative pose

It is believed that the tank never dries up and the water contains medicinal properties. The water when stored, stays fresh for a long time. Its true. Its more than a month since I have brought the water from the tank and it is still fresh. usually water when kept in a container for more than three or four days does not stay fresh.This water when consumed is believed to cure all diseases even acute cases.This has been proved in the cases of Psoriasis, initial stages of TB, asthma, cancer & joint pains. The experiences of the patients who were cured have been recorded and they stand as testimony to it.

A STORY ABOUT ARAGONDA WATER

This water is most powerful medicine for our health.water has the green colour and sweet to taste.these water is generated from trees so it is a ayurvedic medicine.




Small Temple

The God here is Hanuman-the monkey God. He is in the form of Veera or the valorous. The temple is more than 300 years old. The striking feature of the deity is that it faces towards North , which is a rarity. The first says of the sun, fall on the feet of the Lord. As the day progresses, gradually the sun rays disappear after reaching the head of the lord. It is also believed that the ardent devotees and staunch believers can even hear the 'Omkara Nadam' (Chanting of Om) at midnight amidst silence.

The temple is open for public from 05.30 am to 1.30 pm and 01.30 pm to 9.00 pm. On a full moon day it is open till 11 pm.Full moon Day attracts thousands of pilgrims. It is said that prayers offered at night on a full moon day give immense power, peace and happiness. Garlands made of betel leaves, Marrigolds, and Tulasi(Indian Basil), and other flowers are offered to Lord.


Shops selling the flowers n other offerings including Joss Sticks n Camphor

I offered coconuts as is done usually in the temples. I fed these to the monkeys. You can usually find monkeys near the Hanuman temples, as people treat them as the descendants of Hanuman. So they are fed and pampered. But one has to be very careful as they snatch any eatables or spectacles and can be a menace sometimes.

We sat there for sometime as it was very peaceful and quite. Tough it was very hot and humid we felt at peace. We ate the Prasadam-
Laddu and Vada -ie offerings made to Lord.

Arasavalli temple(suryanarayana swamy)

SRI SURYANARAYANA SWAMY VARI TEMPLE ARASAVARAM-SRIKAKULAM

Slokam : " Harshavilli purivasam , Chayosha Padminiyutham SuryanarayanamDevam Nowmi Sarvartha Dayakam "
Om Sri Suryanarayana Swamyoriginal pic



The famous Sun God Temple situated in Arasavalli Village which is at a distance of about 1 K.M. east of Srikakulam Town in Andhra Pradesh head quarters of the coastal district in Andhra Pradesh . It is one of the ancient and all among two sun God temples in our Country. According to Padmapuranam , Sage Kasyapa installed the Idol of Surya at Arasavalli for the Welfare of mankind . Therefore , the Surya is of Kasyapasa Gotra . He is also termed as planetary King . The ' Sthalapuranam ' of the temple narrates that lord Devendra had founded this temple and installed the existing idol of the sun God commonly known as Lord suryanarayana Swamy Varu under the following circumstances .

Once Lord Devendra , Ignoring the words of Dwarapalaka Nandi , attempted to force his entry for Darshan of Sri Rudrakoteswara Swamy varu at an untimely hour when Lord siva was along with his consort . The Dwarapalaka Nandi in the discharge of his duties kicked the intruder . Thus kicked and injured by the Devine attendent Indra fell down senceless . And in his unconscious state Indra dreamt that he would be relieved of his pain of injury in his chest caused by Nandi if he built a temple and installed an Idol of the Sun God . After regaining his consciousness , he remembered what he dreamt .

Following his dream he pickedup handfulls of earth three times at a place where he lay ,and there he found this beautiful idol of sun God with his three consorts Usha , Chaya and Padmini . At the base of the idols are the figures of Mathara and Pingala the Dwarapalakas and high up are the two divine saints , sanaka and sanadana holding 'Chatrams'(An Umbrella ). The Sun God is depicted as riding over a chariot drawn by Anura, the Radhasaradhy . All these figures are exquisitely carved out of a single black finely polished grenite stone.

HISTORICAL IMPORTANCE OF THE TEMPLE

Archeological experts say that the stone inscriptions available in the temple throw some light to the effect that Devendra Varma, the Ruler of the Kalinga Kingdom, must have build this temple and installed the image of the Sun God in it in the later half of the 7th Century . The translation of the stone inscriptions reveals the donation of some lands made to the Sun God for perpectual lamps to be installed in the temple , to run a school or a Hostel for the pupils learning Sastras and vedas . These donations are stated to have been made by the successors of the Calinga King Devendra Varma prior to 11th Century A.D. The temple is buildt in such a way as to make the Sun Rays focus on the feet of the God twice in the year in the months of March and September in the early hours of the day . The rays so focused on the feet of the Idol through the five entrance gates of the temple , remain for a few minutes .

THE MAHATMYAM OF ARASAVALLI

The holy Temple of Bhagavan Suryanarayna Swami is located at Arasavalli in Srikakulam of Andhra Pradesh. This is perhaps the only Sun Temple in the entire Coramandal Coast since the Konark Temple on the Orissa Coast always remained an incomplete and unfinished project. People who are unfortunate enough to suffer from eye and skin, diseases visit the Temple and offer their prayers to the Sun God. They believe that the Sun God is essentially a God of Health and Prayers offered to Him would heal their sickness. From the great Puranas of Dwaparayuga, the following information is gathered. Balarama is supposed to be the very incarnation of Lord Vishnu. Balarama in Dwarparayuga bought the river Nagavali along the furrow of his tiller and consecrated a temple on the shores of the river Nagavali. That is the temple of Uma and Rudra Koteswara. All the Gods angels and their minions arrived on the shores of Nagavali and paid their obeisance to Lord Rudra, Indra, the Lord of Paradise was, some how, late. By the time he arrived, it was late in the night; he tried to gatecrash his entry. At the time Nandiswara, the great Vahana of Rudra was keeping vigil at the gate. He did not allow Indra to go in, as it was time for Lord Rudra to rest with Mata Parvathi. Indra was adamant in his demand to enter the temple, Infuriated by his perverse persistence, Nandiswara kicked him violently and sent him flowing in the air towards the eastern side. Indra fell unconscious in a painful state. Then, it is said, he offered his prayer to the Sun God for relief of his body pains and exhaustion. The Sun God took pity on him and touched Lord Indra with his in numerable rays and Indra got back his strength and relief from pain. He was all grateful to the Sun God who gave him back his strength and relief from pain. He begged the sun god to allow him to stay there forever and spend his time.


About Pushkarini


The Sun God granted his wish and vanished. Indra dug with his ‘Vajrayudha’ and formed a pond, which is known as Indrapushkarini. Even today Devotees feel that they can attain the Grace of Lord Surya if they offer their prayers after taking a dip in the pushkarini. After taking a holy dip in the pushkarni, they turn towards the temple and open their eyes and what do they see! Lord Surya’s idol before then in all its great splendor-and clad in golden colored angavastra. Crown studded with rare diamonds, hands with ‘Abhaya Mudra’ wide open eyes filled with karuna, ear-rings, studded with diamonds, grave and but graceful face. His very Darshan assures fulfillment of all desires in the world. The very temple was conceived and constructed by Viswakarma, the divine architect. Pingala and Mathara are the doorkeepers of this August Temple. Anura is the Sun God’s chariot driver. Thirteen more angels lustily cheer the sun god. Sanaka, Sanandana and other sages offer him Vinjamara seva. Sage Narada and other sing the glory of the God. Devaguru Bruhaspati and other chant Vedas. Thus the Sun God was consecrated here in Arasavalli by Lord Indra himself. Such is the glory and greatness of this temple.

DEVASTANAM WEB: http://www.arasavallisungod.org/